Comparing Woolf’s Mrs. Dalloway, Edward Thomas’ And As the Team’s Head Brass, and the film Hedd Wyn :: Comparison Compare Contrast Essays

Comparing Woolf’s Mrs. Dalloway, Edward Thomas’ And As the Team’s Head Brass, and the film Hedd Wyn The wars of the Twentieth century have had a marked impact on the views and actions of societies all across the world. The impacts of World War I can be viewed vividly through the literature of the time period. In this period, each author had his or her own way of illustrating the effects of the war on their public. Three works dealing in particular with this representation are: â€Å"As the Team’s Head Brass† a poem by Edward Thomas, â€Å"Mrs. Dalloway† a novel by Virginia Woolf, and the film â€Å"Hedd Wyn.† These three works illustrate a common ground in general, of their representation of war, but each offers a particular emphasis of the impact of WWI in Europe more vividly. In the common realm, each work illustrates that every member of society was affected by the war. Each of these works detail a society in which the general tone is a somber one, a tone plagued by worry over the loss of loved ones, and the inability to understand the meaning of the destruction of the war. These three works illustrate the representation of war from three types of people. First, there are the people who had no direct contact with the war themselves, though perhaps a loved one or a friend of theirs may have died, they were not directly involved. The attitudes of those characters that were not directly involved in the war are distinctly different from those who have returned from participating in the war. Those not directly involved in WWI paint a much less terrorizing representation of the war than those who fought in it. In the last group are those who died fighting in the war. The impressions that war left on this group of people are illustrated through the letters and poems that they wrote during their time in the war. These last two groups represent war in a similarly dark fashion. In Mrs. Dalloway, we are exposed to the general conscious of the London community through a variety of characters; most of them are members of the first group, those who were not directly involved in the war. Most of these characters are depicted as interested in getting on with their lives.

Satan :: essays research papers

Apple has two lawsuits pending that involve rumor-tracking Web sites. In Apple Computer v. Doe No. 1, et al. (or Apple v. Does for short), the company is suing up to 25 unnamed individuals for misappropriation of trade secrets—specifically, leaking Apple’s confidential information about an unreleased audio product code-named â€Å"Asteroid† to Think Secret, AppleInsider, and Jason O’Grady’s PowerPage. As part of the discovery process, Apple obtained subpoenas for all three sites for any and all information related to â€Å"Asteroid,† including the identity of all people who leaked the information, or communications that might reveal said identities. None of the sites is a defendant in the Does suit, though Apple has made clear that they could be named as defendants if evidence shows that they knowingly published Apple’s trade secrets (and Think Secret is a defendant in a second lawsuit not related to â€Å"Asteroid†). Both Think Secret and AppleInsider have their own e-mail service, so obtaining information about their e-mail records and messages would require subpoenaing the sites themselves, invoking difficulties about journalist privileges. When Apple learned that PowerPage used an external e-mail provider, the company’s legal team found its path of least resistance. Nfox has gone beyond refusal to contest the subpoena—the ISP refused to promise O’Grady that it would not comply with the subpoena before appeals were exhausted. That’s when the Electronic Frontier Foundation, representing the three sites, went to court seeking a protective order on O’Grady’s behalf to prevent Nfox from turning over the information to Apple. On March 4, lawyers for Apple and for the three subpoenaed sites met in the San Jose courtroom of Superior Court Judge James P. Kleinberg. They were arguing over the sites’ motion for a protective order barring Nfox from honoring Apple’s subpoenas. It was an uphill battle, because one day earlier, Judge Kleinberg tentatively ruled in Apple’s favor. On March 11, the Judge formalized his preliminary decision, denying the motion for the protective order, leaving Nfox free to honor Apple’s subpoenas and turn over all information from O’Grady’s e-mail related to â€Å"Asteroid,† including that which may identify the person who sent it to the sites. In the 13-page ruling, Kleinberg essentially told the three sites (the ones who moved to have the subpoenas quashed, hence their reference as movants in the decision) that their status as journalists does not matter—if they had Pulitzer Prizes, they’d still have to honor the subpoenas. Trade Secrets

Jazz concert

As much as I enjoyed attending a classical music concert in November, I thoroughly enjoyed myself at the Jazz concert I attended on Monday night. Though two vastly different types of music, the theory almost remains the same; variations on a theme. Since Jazz music is a little more my speed, I have to be honest when I say that I was looking forward to this assignment slightly more than the classical concert. I found a Jazz club called Zinc Bar on Houston in New York City that seemed to have reasonable prices and a wide selection of shows and musicians playing at ifferent times. We decided to attend the nine p. . show not knowing exactly who would be playing. Already this is a huge difference between the classical and Jazz concerts. Arriving early, we decided to eat some dinner at a restaurant called Arturo's right down the block from the club. As soon as we walked in, our first sight was a set of musicians and a singer playing live free Jazz music for the restaurant patrons. The band included an upright bass, a piano, and auxiliary percussion instruments and a male singer. They stuck to Jazz standards for the most part but eing that we were at an Italian restaurant we got a generous helping of Frank Sinatra.The musicians really set the tone for the entire establishment. Everywhere you looked, even though time with the music. Needless to say when we left the restaurant, we couldn't help but feel swept away by the entire New York Jazz experience. The ambiance continued inside of the Zinc Bar. The club itself was a small, very intimate setting, with a banquette and small tables on one wall and a long bar on the other. The band was positioned at the end of the bar facing out towards the entrance. The lighting was inimal save for a few candles and colored lights.There was a two drink minimum at the tables whereas the classical concert reserved the drinking to coffee at intermission. The crowd is sparse in the beginning but grows to a full bar towards the end, which we find out is a result of the main head-liner playing at 1 1 p. m. Ron Afflf. But we had very little regrets seeing this first band, the Alexis Cole Trio. The trio consisted of a singer, Alexis Cole, Ben Stivers on the keyboards, Bill Pace on the upright bass, Ryan Scott on guitar, and Greg Ritchie on drums.The lead singer would ntroduce all of the songs before they were played unlike the classical concert where listeners relied on their programs to inform them of the upcoming pieces. The first song they played was by Bob Marley and one of my favorite tunes, â€Å"Redemption Song†. The song was faster than Bob Marleys version and in the middle, Ms. Cole transformed her voice into many different instruments as she scatted her way to the final chorus. In this song, and in every song where the band was involved, each instrument had their own chance to â€Å"scat† and improvise on their respective instruments.After each musician finished their solo, the audience was encou raged to clap which is in stark movements. The second piece was an original composition by the keyboard player, Ben Stivers, called â€Å"East of the Sun† and again featured all members of the band. I found my feet really tapping to this tune and I really enjoyed the piano solo. It had Just the right rhythm and well-balanced solos that I never felt bored. The third and fourth songs were by Thelonius Monk and unfortunately Ms. Cole never mentioned the names. Ms. Cole almost took a back seat in these songs and really let usicians go to town.The solos were intricate and involved seemingly removing the musician from the room and into his heart and mind. The listener couldn't help but be totally transfixed. I also felt that in this section the bass player really took the most risk rhythm wise and possibly might have made a mistake. I say possibly only because if he did make a mistake, he recovered so well it's possible we were Just imagining things. The fifth song was by Billy Str ahorn called â€Å"My Little Brown Book† which Ms. Cole introduced as a song about regret. This tune was only or the singer and the keyboards and was extremely intimate.One really got the sense that Ms. Cole was trying to give you something. The sixth song was another original and by far the most experimental. It started slow and soft and grew into a myriad of sounds with the guitar player playing with certain pedals on the floor. The more they played and the more she couldn't help but feel like I was caught in a windstorm. It culminated into what sounded like a disorganized Jumble of chords and solo material but somehow ended up right back at the original melody and rhythm. It was impressive to say the least.For their last song they decided to take a request from the audience and after much heckling from the crowd it was decided that they would end with â€Å"My Funny Valentine† which the keyboard player had arranged in G minor and in 3. It was an interesting take on an old standard and done in a beautiful smoky tone. It was really a nice end toa perfect New York Jazz experience. As different as classical and Jazz are, I couldn't help but feel that Jazz had at least drawn on the basics of classical music. Start with a melody, make it your own, and then tell your story. I feel that music will forever enrich my story.